Invocations
2024 - 2025
This new collection of works draws inspiration from my experience growing up in an isolated Mediterranean landscape. Fragments of Albert Camus, together with excerpts from Rilke’s Sonnets to Orpheus, Anne Carson’s Wrong Norma, and Shakespeare’s The Tempest, are interwoven with my own writing interventions to create abstract geographies.
Language iterations serve as invocations of memories of a place that no longer exists or has yet to come into being, rooted in a landscape that is both familiar and uncharted.
Over the past two years I have been exploring the boundaries of the photographic image by integrating painting and writing on the silver gelatin handprint. Incorporating new processes has been an organic progression of my approach to image-making - understanding the image as a vessel of conceptual and symbolic agencies; which materiality and meaning can be transformed through gesture and movement.
Xaloc, 2025
oil on silver gelatin print, 90 x 110cm
(Mirror) A, 2024
pastel on silver gelatin print, 90 x 110cm
(Mirror) B, 2024
pastel on silver gelatin print, 90 x 110cm
After Rilke, After Twombly, 2024
oil on silver gelatin print 75 x 115cm
The Minotaur, 2025
wax pastel on paper
Winter Iterations, 2025
oil on silver gelatin print, 90 x 110cm
Sybil Sybil Sybil, 2025
oil and ink on silver gelatin handprint, 90 x 110cm
Siren’s foam, 2024
oil on silver gelatin handprint, 115 x 150cm